I got my hands on this book in 2004, but I couldn't finish reading it. Either I didn't have enough time, or skepticism got the better of me: another vampire story promised to be another horror story for children under ten. I had the book for about two years, covered with dust. And when I finally picked it up, it swallowed me whole. If you force yourself to read the first ten or fifteen pages, the rest will float before your eyes like a Hollywood movie fast and bright.
The era that was called the "silver Age". Social events, poetry evenings, the upper strata of society. The heroine of the novel, Elizabeth, is a girl of noble origin. She communicates with the luminaries of the era, poets, laughs, dances, and no one even realizes that she is pregnant and... dead. She's hungry for blood to survive and give birth. She's a ghoul, and she's probably already being hunted.
The story begins in the morgue. Yuri Alexandrovich Lozinsky, a professor of pathology who loved strong French perfumes and impeccable manicure, conducted "secret experiments," as he called it. Always at night and always alone. This time they brought a very beautiful girl who was poisoned with a large dose of sleeping pills, but how could the professor have known that his passionate attraction to this dead woman would turn a neat, dyed brunette into a pile of bloodless meat.
Fateful encounters with people from her past can lead to the revelation of her great secret. But most of them risk finding themselves in the same position as Dr. Lozinsky, in a word, becoming a good dish for Elizabeth.
Magicians. They are striving to save humanity from the invasion of ghouls, and so far they have succeeded in doing so. Killing for the survival of a species: Ghouls versus humans.
Murders, rapes, tortures, creepy stories written in yellowed, mildewed notebooks found in the basement of an old house. The rusty chest had been lying there for a good hundred years, since the beginning of the twentieth century. Svetlana Koronenko, the compiler and editor, publishes in this book several of the first surviving notebooks of the manuscript. On the cover of one of the notebooks was written: Michel Omely, on the other - Mikhailina Mistletoe. Probably, the author was a migrant from Russia, lived on Stalinka before the Second World War, although no one can say for sure now.
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